Why do you take and create images?

As an artist, there’s no option not to create.

How do you define your photographic/artistic body of work? What subjects do you often explore in your work?

I’m fascinated with video installations and performance art. I install videos on spaces that are otherwise considered bane for artistic expression like storage rooms and comfort rooms. Usually, I project moving images with confused sounds and nuanced language on images that are seemed caught in flypapers.

What motivates your work?

I don’t know.

What relationship does your work have with reality?

My works try to exhibit the realization that the real desires which motivate our forefathers had already eclipsed mankind. On its stead are the simulated desires peddled by mass media, ferried through electronic and cybernetic constellations.

For you, what is the purpose of art?

I don’t know.

How do you want the public to respond to your work? Do you have a particular audience in mind?

I don’t have a particular audience in mind. Whatever people make of my work, the important thing is to create what I want, without the pressure of criticism.

What is your training? Were you trained as a photographer?

I was trained in painting. I started doing video and photographic works shortly before my thesis.

How do you define your actual professional situation? What are your expectations?

I create contemporary art in a city long egrossed in the tradition set by Martino Abellana. I’m part of a group that engages art formats that belie the conservative

orientation of Cabuano art. It’s really hard. Market-driven at hindi artist-centric ang mga gallery.

It’s hard to live off art. Does this affect you and your work?

Yes. Without art, it’s like sobrang horny mo na, gusto mo nang mag YouJizz pero walang internet connection.

Have you worked with gallerists, curators, institutions and other art professionals? Can you discuss more about this particular relationship?

Yes. I can liken this relationship to a studio – something that one ought to engage with and interrogate.

In your opinion, what is the current state of contemporary photography in the Philippines?

Tae.

How do you want contemporary photography to develop in the Philippines?

More unapologetic works. More artists with confidence to destroy the medium itself.

 

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CV